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- An outraged Flynn Carsen (on having his tuxedo shirt ripped during a sword duel) : “This is rented!”

- His urbane (yet inappropriate) opponent: “Of course it is.”

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It’s always a guilty pleasure catching up with the Librarian, whose job is to guard history’s secret relics and treasures, some of these magical in nature and all stowed away in the hidden chambers of the Metropolitan Library of Fresh York. Flynn Carsen is sort of like a modern-day Indiana Jones, except that he’s awkward and plenty nerdy. But Flynn does hold his wits about him, and, after years of holding down the Librarian gig, he now boasts experience and smidgens of confidence. This modern Librarian may fumble about some, but it’s always fun seeing how he’ll obtain out of whatever quandary.

The more things change… The movie opens with Flynn at a posh event applying the finishing touches to his tuxedo. He then navigates down a stairway, sips champagne, and then does a spit hold with the champagne. Which goes to reveal that, even after all this time, Flynn Carsen is collected refreshingly hapless. But, after this latest escapade, which climaxes in a sword fight, Flynn Carsen is officially burnt out (his girlfriend dumping him has something to do with it) . Encourage at the library, by virtue of sheer grousing, he gets himself some time off and ends up flying to Fresh Orleans, all gigged out in bow tie and panama hat. So, as they say in the Large Easy, laissez les bon temps roullez.

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Or not. The holiday like a flash turns into a desperate relic hunt, with Flynn taking on ex-KGB agents, voodoo magic, and the undead. Along the blueprint, he partners up with a mysterious chanteuse to rescue a kidnapped scientist. The relic in quiz is the rumored Judas Chalice, of which origin dates succor to Judas Iscariot and his 30 pieces of silver. The chalice reeks of malice but holds the brew that is correct - that is, if you’re a vampire in need of resurrecting. And, since those ex-KGB agents have unearthed the coffin of Vlad Dracul, you can seek where this is going.

What I like best about TNT’s Librarian series is that it’s not at all pretentious. It wallows in its unabashed cheesiness and farce, even as it hunkers down with a elegant favorable adventure fable. THE LIBRARIAN: CURSE OF THE JUDAS CHALICE is the third in the series, and it doesn’t disappoint its fans. Hokey fun, mythical artifacts, indecipherable manuscripts, supernatural villains, and a likable, nebbish, talky hero (even the dreadful guys complain of his always talking in paragraphs) . By now, Noah Wyle’s got his fragment down chilly. The desirable thing about his character is that he can do something doughty but, then, subsequently have the rug pulled out from under him. And, when this happens, he’s so damn good-natured about it.

Flynn has had a hard time keeping his lady loves. First Nicole (Sonya Walger), then Emily Davenport (Gabrielle Anwar) . This time out, Wyle’s romantic interest is exotic Stana Katic, who plays bluesy singer Simone Renoir with femme fatale nuances. Maybe she’s a keeper. Or not. Meanwhile, Jane Curtin and Bob Newhart (at his stammering best) are again solidly on board as the museum directors.

I never idea I’d ever say this, but I had a better time with THE LIBRARIAN: CURSE OF THE JUDAS CHALICE than with that last Indiana Jones flick. This movie, like its predecessors (The Librarian - Quest for the Spear & The Librarian - Return to King Solomon’s Mines) are tongue-in-cheek throwbacks to those high adventure pictures churned out succor in the 1930s, ’40s and ’50s. I don’t consider I’m reaching that remarkable when I say that even the bag here is rousing enough that it actually reminded me of those Errol Flynn swashbucklers. But, of course, Flynn Carsen is no Errol Flynn. Errol doesn’t know the Dewey Decimal System.

This is the third of the “Librarian” TV movies with Noah Wyle and I judge they withhold improving each time out. With all the vampire movies and books out there fair now, it must have seemed only natural to pit Flynn against the undead and it did not disappoint! Action, humor and mystery in sterling combination. Bob Newhart and Jane Curtain were first-rate as always and Excaliber had a very nice scene. That sword has definitely become a character in itself! The only downer is that I kept hearing that this was the final one and I’m really hoping that either I heard imperfect or they change their mind! Tremendous production values and honorable FX but these movies are definitely record and character-driven. Get more please!!
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