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Streaming John Cassavetes - Five Films Online

Sunday, February 14th, 2010
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Movie Title: John Cassavetes - Five Films
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John Cassavetes was an artist who believed that filmmaking’s salvation lay in “individual expression” and applied this understanding to his believe movies. He is often credited as the father of American independent cinema and to be obvious without him there would be no Martin Scorsese, Jim Jarmusch or John Sayles. For years, fans of Cassavetes’ movies have had to suffer with grainy copies and outrageous transfers on DVD (or, quite often no availability at all) . The folks at Criterion have answered their prayers with a astonishing box site with five of the man’s movies and Charles Kiselyak’s record documentary.

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The Shadows disc features an interview with one of the film’s stars, Lelia Goldini, who talks about how she met Cassavetes and her impressions of the man. She also covers the improv exercises that he would stage and how they developed into the movie. There is also an interview with Seymour Cassel who reminisces about how he met Cassavetes and how he got a job on the crew making Shadows. A staunch derive is never-before-seen restful footage of rehearsals for the film in Cassavetes’ acting workshop. Also included is featurette examining the painstaking restoration process that transformed the new print into this unique fine version. Finally, there is an favorable behind-the-scenes composed gallery and a trailer.

Faces features an alternate opening sequence that was originally screened in Toronto and rearranges the chronology of scenes. “Cineastes de Notre Temps” is a French TV program that interviewed Cassavetes in ‘65 while he was making Faces and then again in ‘68 after it had been screened. The first interview finds him in a waggish mood as he jokes about making a musical of Crime and Punishment. In the second interview he claims that he’s the worst director but tries to form an environment that allows the actors to state themselves honestly. “Making Faces” is a 42-minute featurette with recent interviews with Gena Rowlands, Lynn Carlin, Seymour Cassel and editor/producer Al Ruban. Rowlands talks about how they financed the movie themselves so they’d have complete control while Cassel talks about how Cassavetes was his best friend and mentor. Finally, Ruban discusses the equipment he dilapidated to shoot the film in the “Lighting and Shooting the Film” featurette. He goes through specific scenes via text and clips from the movie providing valid insight into how sure techniques were achieved.

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A Woman Under the Influence features an audio commentary by cameraman Mike Ferris and sound recordist/composer Bo Harwood. This movie marked the first time they worked together and they would go on to collaborate with Cassavetes on The Killing of a Chinese Bookie and Opening Night. Next up, is an profitable conversation between Gena Rowlands and Peter Falk. They talk about Cassavetes’ advance to filmmaking and fondly report anecdotes about making the movie. There is also an audio interview done with Cassavetes in `75 that covers a wide variety of topics: improvisation, casting, directing and so forth. Rounding out the disc is a trailer and a rare collection of behind-the-scenes photos taken on the location of the movie.

Included on The Killing of a Chinese Bookie disc is the fresh 135 exiguous version released in `76 and the truncated 108 tiny version that came out in ‘78. The first version was accelerate job and became a commercial and valuable failure. It was pulled from theatres after a week and two years later Cassavetes cleave almost 30 minutes out and re-released it. There is a appealing interview with Ben Gazzara and Al Ruban. The actor recounts how the first audience to recognize the movie hated it and this broke his heart. Ruban also talks about the negative reaction and Cassavetes’ desire to re-cut his movie as a result. There is another audio interview with Cassavetes where he talks at length about working in genres and how he got the thought for the movie. Finally, there is a collection of rare, behind-the-scenes photographs.

Opening Night features a conversation between Gena Rowlands and Ben Gazzara. They state warmly and fondly about their experiences working on the movie, recounting several stories. There is also an interview with Al Ruban who talks about Cassavetes complete immersion in every aspect of his movies: sets, costumes and so on. There is another audio interview with Cassavetes where he talks about the play that occurs within the film and comparing movies to plays. Finally, there is a trailer.

Cassavetes fiercely believed that “to compromise an plan is to soften it, to construct an excuse for it, to betray it.” The five films that are included in this box location certainly adhere to these words and picture the man’s pure and unfiltered artistic expression. This is an impressive box state that also includes a 68-page booklet with essays by Cassavetes and critics and interviews with the man that does a immense job putting his movies and personal philosophy into the suited context.

I gather it both ironic and strangely appropriate that “John Cassavetes: Five Films” was released on the same day as “Star Wars Trilogy” by George Lucas. These relate two of the most diametrically opposed styles of filmmaking ever screened: the bloated, glitzy and ultimately shallow films of Lucas against the lean, scrappy and completely fulfilling films of Cassavetes.

For those who are not familiar with John Cassavetes, this site will introduce you to the work of one of film’s greatest artists. The authenticity and honesty of Cassavetes’ come to filmmaking are apparent in every shot. These films are as cutting-edge and modern today as they were thirty years ago and they will originate you believe and feel in ways you never have before.

For those who know and like the work of Cassavetes, this status is a much-welcome improvement over previous releases. I can’t say enough about the quality of the transfers. The extras are noble and informative and they relieve give a better notion of the man slow the camera and his revolutionary filmmaking techniques.

Although this status would have been further enhanced by the inclusion of the legendary first version of Shadows as well as commentary tracks and essays by Professor Ray Carney (the world’s leading Cassavetes scholar), “John Cassavetes: Five Films” stands alone as the best introduction/compilation of Cassavetes’ work and is an principal addition to any film library.

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