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Thursday, March 25th, 2010
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Movie Title: Apocalypto
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Even with all the controversy surrounding Mel Gibson last year (and doesn’t it seem as if each fresh week brings another celebrity meltdown? ), I quiet looked forward to seeing “Apocalypto.” Why? If for no other reason–the subject matter, subtitles, and lack of star power made it a plucky choice for a major studio release. Films of this nature generally go into shrimp distribution to manufacture an audience and principal word of mouth before expanding, if they ever do. But with Gibson at the helm, “Apocalypto” debuted with great fanfare and backing objective in time to be considered for 2006’s Academy Awards. For some reason, though, I level-headed missed “Apocalypto” at the theaters. I have heard every description imaginable from those that have seen the film–from the “best movie ever” to “excessively violent and disturbing.” And while I wouldn’t go to either of those extremes, “Apocalypto” is certainly an accomplished adventure represent.

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Set in extinct Mayan times, “Apocalypto” is essentially the harrowing hump of one man, a youth named Jaguar Paw (a convincing Rudy Youngblood) . Living a simple and isolated existence, his tribe are very at home within the forest. One day, the unthinkable happens. They are attacked by another group with apparent intentions of enslaving whomever they don’t end. Youngblood’s wife and son are stranded in an underground well, many others are murdered, and Youngblood is among a dozen or so who are rounded up and marched out in bondage. The subsequent crawl leads to a fantastical temple sequence, where it becomes distinct that the prisoners are not to become slaves–but sacrifices. The remainder of the film deals with how Youngblood can hurry this region. The temple scenes feature a cast of thousands, ritualistic and brutal slayings, and a mob mania that is horrid and believable. Racing against the clock to assign his wife, Youngblood must dash wait on through the jungle–where all he has to encourage him are his cunning and an almost spiritual connection to his surroundings. The action is practically nonstop, it’s inventive, and it is beautifully staged. Powerful of “Apocalypto,” therefore, is absolutely riveting and wildly engaging.

For the purists who will debate the film’s historical accuracy, I will neither state or confirm the legitimacy of the events that transpire within “Apocalypto.” While there do seem to be some liberties taken with the historical timeline (as evidenced by a surprise in the ending–which I enjoyed despite its implausibility), I really don’t believe that this film aspires to be a “historical document.” Gibson has made an adventure fable using a Mayan backdrop. The feel and scrutinize of his record stop as great as possible to the timeframe, however, I never interpreted this narrate as a “good” record. Guess what? Fictional liberties are taken in every motion represent. Otherwise every motion describe would be a documentary–and even documentaries have an angle or slant which effect them less than “apt” in many cases. “Apocalypto,” at heart, is an effective action relate that makes moving employ of its Mayan setting.

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I guess “Apocalypto” is not for the squeamish–however, the violence depicted is by no means novel by current film standards. You can look grand worse in today’s “torture” cinema, those films that pass for apprehension with original audiences. I deliver what makes “Apocalypto” more radiant is that the violence is in a believable context. There are some beheadings and some hunting scenes, but the brutality is intrinsic to the record “Apocalypto” is telling. I don’t acquire serious minded filmgoers will be place off by seeing some savagery depicted in a film about aged Mayan cultures–it’s not as if this is a Merchant/Ivory production with tea parties and witty banter.

I do recommend “Apocalypto.” Beautifully filmed, the technical merits of the film are beyond reproach. The cinematography, acquire, and editing all enhance this inviting story. I imagine these elements really shone colorful for those who saw this on the sizable cover. A vast action relate that is for adults–check it out. KGHarris, 03/07.

A welcome change of wobble for us who feel Hollywood keeps making the same describe over and over again. The first portion of this film is the most unconventional but also hard to endure as only poor things seem to happen to the characters but once Act II arrives and the inch begins, grab on!. I can’t remmember the last time a film had my stomach in knotts like this one.

Some people here in Mexico have complained about the film’s historical accuracy since by the time the Spanish arrived in America, the Mayan civilization had already been taken over by other groups. In any case, Hollywood films are not the best diagram to learn about history.

When Braveheart came out over 10 years ago I remmember a friend telling me: “who would have understanding Mel Gibson was a staunch director”, 2 films later he keeps surprising me with his directing skills. It’s too dreadful the public has let themselves be convinced by the media that he’s the most depraved person to ever near out of Hollywood which is absurd. I guess they feel the more they discredit him the more they discredit “The Passion of the Christ”.

Great work Mel!
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