Way attend in the day legendary martial artist/cinematic icon Bruce Lee region out, along with fellow actor and student James Coburn, to produce a film with the intent of displaying the spiritual side of martial arts along with imparting some of their philosophical Zen beliefs. Brought in to back the men was screenwriter Stirling Silliphant, also one of Lee’s students, whose other works include In the Heat of the Night (1967), The Poseidon Adventure (1972), and The Towering Inferno (1974) . Anyway, the treatment, titled The Quiet Flute, was finished, but apparently there was some grief in getting it made into a film, until about 5 years after Lee passed away, when producer Sandy Howard (A Man Called Horse, The Island of Dr. Moreau) took interest, bringing on director Richard Moore (The Wild Angels, Devil’s Angels, Wild in the Streets) who claimed the unique treatment `unfilmable’, to which Howard hired screenwriter Stanley Mann (Damien: Omen II, Conan the Destroyer) . Mann punched it up a bit, removed some of the more graphic material (both in terms of sex and violence, which, if kept in, would have resulted in an X rating for the film), tossed in a shrimp humor, and eventually became this film titled Circle or Iron (1978), for better or worse. Starring in the film is David Carradine (Death Accelerate 2000, Cannonball) and Jeff Cooper, whose previous gig had him playing Derek Thurston #1 on the TV soap `The Young and the Restless’. Also appearing is an keen list of cinematic dignitaries including Christopher Lee (Dr. Terror’s House of Horrors), Roddy McDowall (Planet of the Apes), and Eli Wallach (The Lovely Seven) .
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As the movie opens we are watching some sort of martial arts tournament, and the focus is on a character named Cord (Cooper), who looks a limited like beefed up Peter Frampton, shaggy mane and all. The purpose of this tournament is to settle a champion, one who would have to endure three trials on a path to accept a wondrous book, possessed by one called Zetan, which contains all the wisdom in the world. Anyway, Cord, who isn’t affiliated with any school or restricted to any particular fighting style, easily makes it into the final match, but is ultimately disqualified due to not following the rules…if you’re familiar with Bruce Lee, you might launch to stare the similarities between the character of Cord and Lee as far as where they both were coming from, figuratively speaking, and their difficulties in working within the `establishment’, hindered by those who need to pigeonhole people and concepts for their maintain sake of plan and acceptance. Undeterred, Cord decides to go after the book despite his not being declared champion, and has a number of adventures, encountering all kinds of spellbinding individuals and groups including a blind flute player who generally answers questions with more questions (he also uses his three foot flute as a weapon, causing it to manufacture inspiring sounds when he fights), a tribe of monkey men, their leader (played by Carradine) garbed in Joseph’s Technicolor dream coat, a nomadic troupe/tribe, who specialize in bacchanalian delights, led by Chang-Sha, played by an an Arab-y looking Carradine, a man purposely boiling his privates in oil, a band of gypsy horseback riding desperadoes, and even death itself in the obtain of a puma man (also played by Carradine) . Will Cord accumulate the strength, wisdom, and perseverance needed to confront Zetan for the ultimate prize? What the heck is in the book that makes it so sought after? I’m guessing secret recipes or perhaps the acknowledge to why, when a portion of toast is dropped on the floor, it is always the buttered side that lands face down…
I’m moving as to why the title of this film was changed from The Mute Flute to Circle of Iron…I believe Carradine talks about it a small in his interview portion, as those who finally made the movie decided the current title was too confusing, so they opted for a more generic, less fitting, in my view, title for the film. Overall I plan this was an attractive movie, one that stayed relatively suitable to Lee’s unusual intent of focusing on the transcendental and philosophical aspects inherent within martial artistry, although I couldn’t befriend regain the sense it may have gotten watered down a microscopic in the process, perhaps in a grief to produce it more accessible to mass audiences. It’s enchanting that Carradine, who plays four, separate roles, was chosen to appear, since he also took on the lead in the 1972 television series Kung Fu, a vehicle created by Lee with the intent that Lee also star, but prevailing prejudices at the time chose to go with the Caucasian Carradine, making him appear Asian, rather than going with a precise Asian in Lee himself. I opinion Carradine, who was originally sought to play the portion of Cord, but felt he had since ‘graduated’ from the role as the student, did very well, creating four, clear characters, and nicely offset the awkwardness in Jeff Cooper’s performance. Cooper has the physique, but lacked the required acting range, in my idea, to properly represent his character, especially in terms of being an arrogant, naïve individual whose quest for a material object turns into a often unsafe paddle of learning and self discovery. There are a number of bright locations worn, and the anamorphous fighting sequences were kept realistically within reason. I understanding director Moore did very well keeping what was probably a difficult myth to film on track and paced well. I did like the somewhat laughable revelation in terms of the book and the character of Zetan, played by Christopher Lee, even though the revelation itself was definite, especially to anyone who’s seen a number of slit socky films.
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The portray quality on this Blue Underground DVD release looks enthralling, spruce, and generally trustworthy, and is presented in wide camouflage (1.76:1), enhanced for 16 X 9 televisions. The Dolby Digital 2.0 mono comes through well enough, and I had no complaints. There are a number of noble extras including a newly recorded interview with David Carradine titled Playing the Mute Flute (13:55), an audio commentary track with director Richard Moore, a sort of dissertation titled Bruce Lee’s The Tranquil Flute: A History by Davis Miller and Klae Moore, an alternative title sequence, a theatrical trailer, three 30 second TV spots, a poster & level-headed gallery, and a DVD-ROM feature containing the first draft script by Bruce Lee, James Coburn, and Stirling Silliphant.
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By the contrivance, did anyone understand the significance of the sequence with Eli Wallach as the man in the oil? Was it honest a amusing interlude, or sort of representational allegory representative of some abstract opinion?
Just a few years ago when dvd impartial started getting expansive in the market, I, like many other people was inflamed. I was insecure however that many obscure, older films would never salvage the dvd treatment. Coz at that time, only the colossal blockbuster snoozefests like Armageddon were coming out on dvd. Over the years I’ve been proven unsuitable however, and it’s the fault of companies like Blue Underground. It’s nice to know there are people in high places who like these kinds of films too. And because of them I procure to watch long lost favorites of mine like Shock Waves and Conquest accept first class dvd treatments-even if the films aren’t first class. Circle Of Iron is one of the newest of this bunch. I was surprised to study this arrive out. Even the vhs had been long out of print, but hey, if if Breakin’ 2-Electric Bugaloo can be released, anything’s possible. If Bruce Lee could study how his concept turned out, I’m not determined how impressed he would be(having yet another of his roles taken by David Carradine!), but I like this movie. “Cord” sets out on some quest to salvage this noted bigshot(Christopher Lee) who guards a sacred book that everyone wants to perceive at. The book is supposed to bring higher enlightenment or something, it’s never clearly defined. Lee’s character is assumed by Cord to be some kind of ultimate martial arts expert that Cord will have to fight in order to check out this book. As he sets out on this quest(he doesn’t even obtain the privilege to go on the quest, he kinda cheats his intention into it) he must go through a state of “trials”-all of which include David Carradine in one intention or another. Carradine’s in Dr. Stangelove mode here, playing four different roles-a flute playing blind man(who Tarantino obviously modeled “Bill” after), a bizarre monkey/human fighter, a warrior playboy type and Death himself(a character that should have had more than one scene. He’s actually kinda creepy) . There’s an bad lot of Zen philosophy that obviously reflects Bruce Lee’s personal philosophies. These are considered merely “riddles” by our open-minded hero, Cord. I don’t maintain I’ve seen this Jeff Cooper guy in any other film. He spends the entire film with Robert Plant hair, topless, and unprejudiced thoroughly arrogant. A colossal time capsule of a movie, it’s impartial too abominable Lee had to die before he could produce his dream project the blueprint he wanted. The extras consist of all the regular stuff like galleries and trailers, plus a 13+ small interview with Carradine and an essay on Bruce Lee and his ideas for the film. Apparently Carradine enjoyed making this film more than any other. It shows. Thanks again to Blue Underground for realizing there are people out there who aren’t enthusiastic in buying Armageddon on dvd.
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