Anecdote books jabber they wuz all slash vulgar,
Truth of it is, it jest ain’t so.
Buy,Download, Or Stream Davy Crockett -Two Movie Set! Click Here
Their spirits’ll live
an’ their legends grow
as long as we remember
the Al-a-mo!
Buy,Download, Or Stream Davy Crockett -Two Movie Set! Click Here
Davy, Davy Crockett,
fightin’ fer lib-er-ty!
This compilation brings together the two feature films edited from the two Crockett series runs from the mid-1950s, the fresh 3-part mini-series (”Davy Crockett, Indian Fighter”,”Davy Crockett Goes to Congress”, and “Davy Crockett At the Alamo”) and the 2-part second series (”Davy Crockett’s Keelboat Hasten” and “Davy Crockett & the River Pirates”) . It is a mammoth transfer of all the materials and something to kick attend and utterly bask in, both as nostalgia and as satisfactory cinematic storytelling.
While some of the historicity here is arguable ( there was, for instance, no Creek war chief named “Red Stick”…the “Red Sticks” were a warrior clan WITHIN the Creek nation…and led by a WHITE man) , the depiction of Crockett’s character and personality as interpreted by Fess Parker, seem objective about dead-on . And the verve and spirit of the thing, enlivened by Tom Blackburn’s jaunty balladry, is honest a feast for the soul. And what more is there to say about the performances of Buddy Ebsen as George Russell and Jeff York as the irrepressable Mike Fink except “Bravo” (and let’s not overlook Kenneth Tobey, who played
Jim Bowie in the “Alamo” episode, only to turn around impartial a year later to appear as Mike Fink’s “Gullywhumper” first mate, “Jocko”) .
An earlier reviewer “Richard Ceourdelion” (I hope Robin Hood got him safely returned to his throne) complained about not liking these compilations as grand as the “accurate t.v. exhibit”. Like another reviewer, I would ask “Why don’t you have both? “. The complete t.v. series…with hosted commentary by Leonard Maltin and with all the Walt Disney introductions, commercials, credits, etc., intact, has been out for several years now as allotment of the “Disney Treasures” Collection (comes packaged in an aluminum ‘tin’ that replicates a film cannister) . I have one and gape it often. This is the only location you can hear the COMPLETE “Ballad of Davy Crockett”, as well as study all the astonishing line drawings that customary to frame each episode. And you will also glance something you never before realized…that the episodes you saw as a child of the fifties on a unlit & white t.v. were juxtapositions of SOME scenes shot in technicolor and SOME scenes done in unlit and white. Strikes you unfamiliar now when you search for it today…this switching befriend and forth…but it worked magnificent on b & w television “plot succor then”.
Of course for the theatrical release compilations—what you notice in the versions specifically under review HERE—all the dim & white shots have been dropped and only the Technicolor footage retained.
The “movie” versions reviewed here are unprejudiced handsome for all of us who fair want to gape it through. You come by the “meat” of the thing without all the extras. But if you want to spy the entire
series AS IT WAS BROADCAST, track down the Disney Treasures edition.
Now, if only they will bring out “The Myth of Robin Hood & His Merrie Men” (Richard Todd, Peter Finch), the SECOND best Robin Hood film after Errol Flynn’s, THIS boomer will be a tickled camper indeed (since “Darby O’Gill” IS out now, with “The Scarecrow of Romney Marsh” (Patrick McGoohan), reputedly in DVD preparation) .
Satisfied days!
I missed out on the Davy Crockett craze, which means I did not have a coonskin cap and was not running around the neighborhood singing ‘The Ballad of Davy Crockett” over and over again. By the time I was watching television Fess Parker was Daniel Boone and not Davy Crockett, so it took a bit of mental rearrangement to glean my young mind around the notion that he was both when “The Improbable World of Disney” rebroadcast the adventures of Davy Crockett. They made enough of an impression that my brother and I compelled our parents to seize us the Disney narrate that had audio versions of the three adventures. So it has been nigh on thirty-five years since I done seen these novel adventure of Davy Crockett and I was a might surprised to learn they own up comely well.
“Davy Crockett, King of the Wild Frontier” combines “Davy Crockett, Indian Fighter,” “Davy Crockett Goes to Congress,” and “Davy Crockett at the Alamo.” Davy and his sidekick Georgie Russell (Buddy Ebsen) end a Creek uprising and convince Chief Red Stick (Pat Hogan) to return to the ways of peace despite the encourage of Captain Norton (William Bakewell) and with the tactic approval of General Andy Jackson (Basil Ruysdael), spends some time speechifying in the United States Congress, and then joins the cramped band of volunteers led by Jim Bowie (Kenneth Tobey) defending the Alamo against the Mexican army of General Santa Ana. The middle share of the trilogy is the weakest of the adventures seeing as how Davy has to dress up in love duds to promenade around the halls of Congress. The conclusion at the Alamo is the most memorable sequence, having a more serious tone and some impressive production values when you reflect the entire battle is being shot on a soundstage (for years when I drew the Alamo it was the Disney version and not the actual one that I was drawing) .
Directed by Norman Foster and written by Thomas Blackburn, the biggest surprise in these episodes is Davy’s attitude towards the Indians. Instead of unprejudiced killing Red Stick in their tomahawk duel Davy persuades the chief to return to the land. He stops Bigfoot Mason (Mike Mazurki) from stealing the land of Charlie Two Shirts (Jeff Thompson), gives a speech in Congress defending the honest of Indians to their tribal lands, and befriends the gallant Busted Luck (Lop Cravat) on the arrangement to the Alamo. The climatic battle has an appropriate gravity and does a tolerable job of sticking to history beyond reducing the role of Colonel Travis (Don Megowan) . When Davy sings a final song on the last night of the battle there is an unexpected poignancy, which contrasts well with the simple determination to end there until the slay. The peruse of Davy swinging musty Betsy as a club while about to be overwhelmed by the Mexican troops is a memorable final image of our hero.
Ultimately the main strength of these stories are the performances of the two leads. Parker completely natural in the role and Ebsen shows an understated laughable touch throughout. The friendship between Davy and Georgie becomes the one constant throughout the adventures. There are several lovely supporting performances as well, particularly Ruysdael as Andy Jackson and Tobey as a fatalistic Jim Bowie. Old-fashioned character actor Hans Conreid plays Thimbelrig, a gambler the boys choose up on their method to Texas. Granted, the nostalgic aspects of “Davy Crockett, King of the Wild Frontier” is going to be a strong piece of the entertainment value here, but these are very suitable yarns for the Fifties.
“Davy Crockett and the River Pirates” includes both that fifth and final adventures of Davy Crockett (Fess Parker) and his friend Georgie Russell (Buddy Ebsen), and the previous chronicle “Davy Crockett’s Keelboat Bustle.” The approved denominator between the two is not only the Mississippi River but also the self-styled King of the River, the braggart and brawler Mike Fink (Jeff York) . Unlike the first three adventures of the legendary American quiet together in the 1955 film “Davy Crockett, King of the Wild Frontier,” these 1956 tales area a greater emphasis on comedy (although Mike Fink’s character is a lot more realistic in the second adventure) .
The first half has Mike Fink getting Georgia all liquored up and betting all the furs he and Davy level-headed during the winter on the outcome of a keelboat hasten. The hasten down the Mississippi to Modern Orleans becomes as great of a battle of wits as anything else as Mike and Davy pull one trick on each other (Mike’s tend to be more underhanded) . However, in the ruin the two become friends, and when Davy and Georgie encounter the River Pirates led by Sam Mason (Mort Mills), Mike lends a hand. The pickle is that the pirates have been dressing up as Indians to attack boats on the river and this is causing tensions between the steady Indians and the settlers. If there is one thing that defines Davy Crockett in these Disney adventures it is the fact that he is a friend to the Indians, which means our hero has to do something about this outrage. With Mike Fink pretending to be a tycoon, Davy sets a trap for the abominable guys in the second half of the adventure.
While lively, “Davy Crockett and the River Boat Pirates” will probably appeal more to younger kids, while older folks will remove the unique three episodes, both on nostalgic grounds and artistic principles. After all, the first three were looking more at the historical Davy Crockett and this pair is more about the legendary figure. Parker does not seem as comfortable with the slapstick as he does with Davy’s more serious side. When compared to “Davy Crockett at the Alamo” it is a bit hard to bear this is the same character. To underscore the point, compare the character of Jocko that Kenneth Tobey plays in these two Mississippi adventures with his exquisite performance as a realistic and fatalistic Jim Bowie at the Alamo; as well as anything those performances point to the contrast between the “historical” and “legendary” adventures of Disney’s Davy Crockett.
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