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Before viewing this miniseries, I had only read the book (of the same name) by David Simon and Edward Burns published in 1997. Still, the world of decaying neighborhoods, the havoc of street drugs and hopelessness among the disadvantaged has deepened in the Bush era. It took an ingenious director like Charles Dutton to recount one family’s troubled history gripping miniseries that doesn’t miss a beat. And he’s selected a cast of relative unknowns who assume their roles with dead-on realism
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The film follows a year in the life of one impoverished family against the backdrop of their neighborhood during the 1990’s a drug-ridden quarter-mile from Baltimore’s Inner Harbor. Dutton, like Simon and Burns, dwells on the humanity of his cxharacters and the universal themes of their day-to-day struggles. You needn’t have been an alcoholic or drug addict to enter the hearts of these people or understand how they swing between hope and hopelessness.
As political commentary, THE CORNER couldn’t be more timely, especially in its grasp of urban education, inner city commmunties, underage pareenthood and America’s Dickensian juvenile justice system. Viewing what these potentially gifted people endure, viewers may ask how many good people we discard because of our cultural myopia, institutional racism and apathy.
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The core performance here is T.K. Dutton’s “Gary” — the father of his broken family. The ways in which he struggles to overcome present shame in light of past success is something most of us will recognize — race aside — if not today, then tomorrow.
There is no score to speak of except for Corey Harris’s blues track which occurs on splash screens and during the credits for each of six episodes. Dutton frames each episode with interviews of different principal characters to evoke the feel of a documentary, and he more than succeeds.
Dutton understands the lives of these characters because he grew up in their neighnorhood and experienced first-hand the dissolution of life on these corners — where red tops and spider bags are the basis of life and death. He knows that the pain of addiction is potent, but not always as devastating as the cruelties of the real world “clean.”
Every facet of this production suggests HBO should rebroadcast THE CORNER on its tenth anniversary. You wil laugh, weep, wince and cheer; and when it’s over, you will hate to leave these good people.
While there are segments that are bleak, Dutton didn’t intend to shock. He wanted to remind us that these men and women are fully human, and that –like Gary– we have the potential to stumble, too. We might be doomed to the Corner but for the grace of God.
Five glowing stars for the DVD set — and the book on which it’s based.
Seldom do you find a film that makes you feel as close to the characters as this one does. If I could put into words the range of emotion you will feel when viewing this series, you would purchase this set without hesitation.
Though it is true that this is not for everyone, those who can deal with the harshest realities of life will be blown away by the gritty “in your face” approach of this Mini-Series. You will find yourself hoping with all your heart that Gary or Fran will “straighten up” and get it together, only to realize that they are not pillars of strength and are sometimes doomed to fail, even before they start. The most disappointing thing about the series is that it ends. As you progress through the episodes you will gradually begin to dread the inevitable end, and it will leave you hungry for more.