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Any Preston Sturges film even the lesser ones are worth watching for their snappy dialogue and comedic sequences alone. With “Sullivan’s Travels” we catch Sturges at the top of his game. Joel McCrea the everyman of the 40’s turns in a terrific performance as the bright but lightweight director John Sullivan (Sully to his friends). Sully wants to make serious pictures after a career of churning out lightweight comedies. His next project “O Brother Where Art Thou” (wittily referenced in the Cohen brothers film of the same name nearly six decades later)will be a socially conscious look at the suffering of the common man. The only problem is that Sully knows absolutely nothing about suffering or hardship. Sully decides to rough it as a hobo and discovers much more than he wanted to about suffering. He meets “The Girl” (Veronica Lake lovely as ever)and discovers more about the world than he ever imagined.

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Sturges fell into drama when he became ill and read about creating dramas while recooperating. His first major play “Strictly Dishonorable” became a huge Broadway hit in the 30’s. As a child Sturges’ mother became “friends” with Isadora Duncan and Sturges was dragged around with the two of them and had a very unconvetional upbringing nicely profiled in the original PBS Emmy winning documentary “Preston Sturges: The Rise and Fall of an American Dreamer”. “The Power and the Glory” Sturges first written screenplay earned him over $17,000 in the 30’s against the profits of the film by producer Jesse Lasky. Sturges already had made enemies in Hollywood by becoming wildly successful as an independent writer and later director. Featuring interviews with friends and Sturges’ last widow, vintage footage, stills & footage from his productions and home movies of Sturges, Kenneth Bowser’s excellent documentary provides insight into Sturges’ career as a writer and film director.

There’s also storyboards, blueprints for the sets, original publicity materials, the original theatrical trailer, a Hedda Hopper interview with Struges, recordings of Struges’ original song “My Love” and poem “If I Were King”, this is one of the best Criterion releases out there. The image quality on the disc in this new digital transfer is beautiful looking. While the price is a bit steep, this terrific DVD is well worth it

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After a string of B-movies, legendary cool babe, Veronica Lake graduated to the big time in this screwball message picture by director, Preston Sturges. Actor, Joel McCrea is John L. Sullivan, a director of frothy film comedies who desires to make a truly gritty motion picture about the “suffering of humanity”. One problem - he doesn’t know the first thing about suffrage, having been born with a silver spoon and thrust into a lucrative career with money to burn. So what’s a desperate rich guy to do? He decides to impersonate a hobo and ride the rails in search of ‘real’ life. He finds Veronica Lake and a heap of trouble instead.
For once - a Criterion disc I can actually recommend on every level. First, the DVD quality of this classic film is bar none the most outstanding effort from Criterion thus far. The gray scale is superbly balanced. Blacks are black. Contrast and shadow levels are amazing. Fine details are well represented. There is some minor edge enhancement and aliasing, but it is so slight and infrequent that I really shouldn’t be mentioning it at all. There’s barely any digital or film grain for a smooth, thoroughly captivating visual presentation. The audio is mono but cleaned up in such a way that one hardly notices its dated shortcomings.
AT LAST - as an extra, Criterion gives us “Preston Sturges: A Life” a thoroughly engrossing, in-depth, full fledged documentary on the man, the making of this movie, as well as a time line documenting Sturges’ many other films with a multitude of background material and snippets from each of the movies in Sturges’ canon. The documentary is so good, you’ll want to watch it twice. Yes, there’s also an audio commentary and the usual Lux Radio junket that accompanies most Criterion classic titles. But the documentary is what counts here.
BOTTOM LINE: A MUST HAVE DISC FOR ANY FILM BUFF!