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The Rockford Files in my view was the best TV series ever, and without a doubt was definitely the best TV detective series.

From his trailer office to his home made business card printer, Rockford was truly unconventional. That is what space him apart from his other 70’s detective peers. The best piece about Rockford was that he was human. He was frequently atrocious in his assumptions, he got beat up a lot, and unlike other macho types, he didn’t always fetch “the girl.” Angel played by Stuart Margolin added hilarity to the reveal, and Rockford’s dad, played by Noah Beery, gave it a nice family feeling as well. Overall, this was simply an outstanding reveal, and compared to some of the shows from the 1970’s that are already out on DVD, it really makes no sense that this demonstrate is not yet out on DVD, and I gawk forward to the day when The Rockford Files is finally out in DVD format in all 6 of its improbable seasons.

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James Garner’s laconic charm as Jim Rockford kept us coming wait on for more each week and finally won him an Emmy in 1977. Garner, who would have been a star in any era, and sometimes seemed as if he would have fit more into films of the 1940’s, finally found the perfect role on television as Jim Rockford, an ex-con given a fat pardon when it was discovered he was innocent after all. Working as a P.I. and parking his gold Firebird in front of his trailor on the L.A. beach, Rockford could never quite shake the ex-con ticket, nor could he shake his frail cellmate, Evelyn “Angel” Martin.

Stuart Margolin was simply extraordinary as the scheming Angel, always with an angle, and always definite to bag Rockford into difficulty when it backfired. Like Rockford, you objective couldn’t quit inflamed at Angel, no matter what con had blown up in his face or how great distress he would accept our popular TV detective in from time to time. Rockford and Angel remained friends because of that unspoken bond all ex-cons have, and because deep down, Angel was a stand-up guy, though you couldn’t always roar it from looking at the surface.

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Except for the 90 shrimp pilot episode, “Backlash of the Hunter,” starring Lindsay Wagner as Sarah Butler, who would resurface in another episode from the first season, “Aura Lee, Farewell,” Noah Beery Jr. portrayed Rockford’s lovable dad, Rocky. Rocky was a retired trucker who loved to fish, and passed on the hobby to Jim. It was the microscopic moments like fishing that were really the heart and soul of this expose when you cessation to assume about it. There were always a few slice-of-life moments mingled in with the huge car chases, pretty con games, and other assorted mischief, as Rockford tried to solve a closed case and conclude out of jail at the same time. Some weeks he was impartial trying to quit alive. Rocky would always give Jim that “behold” if he had to near post bail.

Joe Santos was Rockford’s often mad police pal, Dennis Becker. He was the buffer between Rockford and Lt. Diehl (Tom Atkins), who hated Rockford and would have liked to recall away his P.I. license. Becker was a pal, but could only do so distinguished for Jim as he had to pause out of hot water with Diehl himself. He had a wife and kids to relieve, and for some exclusive reason, that sometimes took priority over helping Rockford out of a complicated scrape.

Last, but by no means least, was Gretchen Corbett as lawyer Beth Davenport. The relationship between she and Rockford was complicated. They both had a deep affection for each other, which was sometimes complicated by the attorney-client relationship. Her efforts to hold Jim out of worry with the cops took up a lot of her time. There was a romance of sorts between the two, but it never matured into something that would lead to marriage.

The first season had some large guest stars, in addition to the already mentioned Lindsay Wagner. Other guest stars from season one were: Ned Beaty, Sharon Gless, James Woods, Linda Evans, Jackie Cooper, Hector Elizondo, Diana Muldaur, Suzanne Somers, Tony Mustane, and cloak chronicle Joseph Cotton.

There were many mammoth episodes the first season, in addition to the 90 itsy-bitsy pilot. Those episodes are as follows: THE KIRKOFF CASE — THE Black AND BLOODY GROUND — THE COUNTESS — EXIT PRENTISS CARR — Immense WOMAN IN RED WAGON — THIS CASE IS CLOSED I — THIS CASE IS CLOSED II — THE Substantial RIPOFF — Salvage ME IF YOU CAN — THE PURSUIT OF CAROL THORNE — THE DEXTER CRISIS — “CALEDONIA, IT’S WORTH A FORTUNE” — PROFIT AND LOSS I — PROFIT AND LOSS II — AURA LEE, FAREWELL — Limited OF HAND — COUNTER GAMBIT — CLAIRE — SAY GOODBYE TO JENNIFER — CHARLIE HARRIS AT Broad — THE FOUR POUND BRICK — Impartial BY ACCIDENT — ROUNDABOUT

Stephen J. Cannell and Roy Huggins created this amazing series and Juanita Bartlett wrote some of the finest scripts ever done for television. James Garner was absolutely perfect as Jim Rockford, and it has become difficult as the years have passed to separate the two in our minds. Garner was, and is, a colossal actor and hide presence who made everything peer easy. This was a terrific note and one of the best ever to be beamed into our homes once a week.

This DVD spot has been too long coming, but now that it’s unbiased around the corner, there is a sense of anticipation by fans who will be chomping at the bit until it’s in their hot cramped hands. We all will, as everyone loved “The Rockford Files” and couldn’t wait to hear Mike Post’s huge theme music each week. It was recorded and turned into a radio hit it was so fine.

Once again we will acquire to listen to all those crazy messages left on Jim Rockford’s answering machine. Fans never missed the opening of the demonstrate because a smile or a expedient laugh might be missed. You don’t want to miss it either.

“This is Jim Rockford. At the tone, leave your name and message and I’ll procure encourage to you.”

NHL: Sidney Crosby - On the Ice and Beyond Blockbuster Free DVD. Movie Title: NHL: Sidney Crosby - On the Ice and Beyond Average customer review: NHL: Sidney Crosby - On the Ice and Beyond is Available To Watch For Free Today. Click Here to Watch NHL: Sidney Crosby - On the Ice and Beyond With a Free DVD Trial from Blockbuster

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The DVD is a edifying myth on Crosby’s 2007-2008 season (with a cramped build-up on the Penguins, then on Crosby himself) . The biography itself is worthy. There isn’t great as far as highlights go. This is definitely more of a biography of Crosby than it is a highlight reel. The feature runs about 80 minutes.

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My complaints are with the production. The DVD is shown in widescreen format, but it’s not a correct widescreen for those with widescreen TVs, it’s like a matted report. Crosby’s instruct having the echo attain did not serve reveal it well, but it wasn’t too annoying after a few times of hearing it.

The other complaint goes to marketing. The NHL Winter Classic game is included as an extra. A game that DESERVED it’s beget DVD, and will surely befriend sales of this DVD is honest an extra on this DVD. It’s (good) widescreen format, so it’s a large portray of the game and worth the imprint for this extra alone.

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I haven’t gotten to perceive any of the extras which include: Captian Crosby, Crosby the Communicator, The Draft Lottery, Face of the League, Slack the Scenes - Gatorade Commercial Shoot, Personal Stories, Sid and the Kids, Sid’s Trim Skills, and the already mentioned 2008 Winter Classic game in it’s entirity.

“Sidney Crosby: On The Ice and Beyond” is a documentary that covers a bit of Sid’s life but mainly focuses on the Pittsburgh Penguins’ speed to the Stanley Cup Final in 2008. It is an extremely well-shot documentary and as a filmmaker myself, I can only say that I wish I had been a allotment of its production! Profitable hockey footage and a seamless storyline are integrated into this film about a kid that changed a city and is really the face of the NHL. With this film, you net a gradual the scenes recognize at what it really means to be an all-star NHL’er and I’d recommend it to any hockey fanatic out there!

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There are simply too many videos available on tape and DVD in which relaxing but shapeless electronic music is being played as the visuals indicate waves against a beach or some such listless albeit pleasing pattern. At first I was fearful that on AlphaDVD notice (DVD10726) would be one of the same. It is not. Even without the special features, the views of the universe are utterly breathtaking. The music by a group called 2002 is equally utterly negligible, but that turns out to be a virtue.

When I hit the Title button on my remote, I programmed in the narration; and suddenly the item became a unbelievable educational tool, actually enhanced by the musical background. For those who wish, there are narration tracks in French, German and Spanish; or you might win subtitles in the same linguistic choices. The video is widescreen, the sound great. This would create the perfect gift for a friend and especially to a student.

+++++

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This program presents images taken by the Hubble Site Telescope (HST) from 1990 to 1998. All images are accompanied by Unique Age music.

Before I say anything else, the images presented in this program are aesthetic, awe-inspiring, and jaw-dropping. They should be seen by every Earthling so everybody can experience the improbable beauty of the universe.

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Buy,Download, Or Stream Stargaze - Hubble’s View of the Universe! Click Here

The main menu for this program is as follows:

1. Play

2. Chapters (or Scenes)

3. Special Features

4. Credits (for all images and music presented in this program)

5. Previews (of other programs)

When I got this program, I simply establish this disc into my DVD player and chose “Play” from the main menu. What I got was images accompanied by Current Age music and nothing else. Personally, I liked the music that I found to be very calming and level-headed but I had no plan what I was looking at. I reasoned that there must be something I had to activate to define the images I was seeing.

After being perplexed for a few minutes and wandering around the main menu, I eventually chose “Special Features” from the main menu.

The Special Features had the following selections:

1. audio (available in English, French, German, and Spanish)

2. subtitles (also available in the above languages)

3. language (also available in the above languages)

4. veil saver

5. web DVD

I knew that I wanted the “English language” so I selected it. I also wanted “English subtitles” that I eventually found out were termed “English nomenclature” in this menu. (I was initially confused by the term “nomenclature” because this word means “a system of naming” not “subtitles”.) Choosing these, you pick up the naming of images accompanied by music. This was certainly better than objective images and music alone but I serene found that this was not enough to find rotund enjoyment from this program.

This time I selected “audio” from the special features menu. From this I chose “English narration.” I also selected “English narration” from the subtitles portion. With these selections you gather music and narration that explains the images and the words of the narrator are printed under each image. I watched the entire program with “English narration” for both audio and subtitle selections. It was only after I watched the entire program like this that I realized that there may have been a better option for me: retain the “English narration” in the audio but have instead the “English nomenclature” for the subtitles. (With “English narration” subtitles, too many words appear on the veil. I found this to be distracting.)

The reason I explained all the above is that it is easy to watch why I judge that there should have been a stamp that explained the options available with respect to audio and subtitles. Instead you have to experiment. Some people may score this frustrating and time-consuming. (In fact, I’m collected not definite if other options are available!)

For those who don’t like Unusual Age music, there is no intention of turning the music off. However, if the narration is turned on, then the music becomes still background music.

The amazing images in this program can be divided into three parts:

(1) This covers chapters or scenes (1 to 3) and lasts about 15.5 minutes. Here we are told everything about the HST. Oddly, there is not one image of the HST in this portion. The images instead are deep plot images that we’re told nothing about.

(2) Covers chapters (4 to 9) and lasts about 32.5 minutes. This is where the mesmerizing images are explained. Here there are visuals of deep site that include nebulae, distant galaxies, galactic clusters, and other exotic objects. These are static images but the camera keeps involving across them giving the illusion of movement.

(3) Covers chapter 10 and lasts about 8.25 minutes. Here, we are shown time-lapse photography of the Solar System’s outer planets, namely Mars, Jupiter, Saturn, Uranus, Neptune, and even Pluto. The images were from the HST and were meticulously set aside together into a time-lapse sequence for each of the planets mentioned.

The ruin credits roll and that’s the kill of the program. Legal? Unfavorable! There is no mention of this anywhere (why?? ) but we then glean a sequential presentation (that lasts for about 4.75 minutes) of nine tremendous paintings of some true galactic images that were shown in the main program. The title of each painting is shown briefly at the bottom of each painting. The paintings were created by Marilynn Flynn who is, and the viewer is not told this, a sizable place artist.

Finally, I should mention the conceal saver selections (that can be accessed through the “Special Features” of the main menu) . Here we procure a show of most of the images seen in the main program as well as paintings by the above artist. Oddly, some images of the HST are shown. (Capture that there were no images of the HST in the main program.) The images appear sequentially with their titles appearing briefly at the bottom of each image. It is possible to stop an image but you can’t go relieve to a previous image.

In conclusion, barring some of the problems hinted at above, this is an astonishing visual, audio, and educational delight, demonstrating unbiased an infinitesimally tiny number of cosmic wonders that are in our gigantic universe!!

**** 1/2

(1998; 1 hr; widescreen; 10 chapters)

+++++

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This DVD contains four of the newer Caillou episodes, and each of these episodes has 3 stories in it.

It contains:

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–Caillou the Fine (learns about Prove and voice, Caillou the Magician, King of the Castle)

–Caillou the Musician (Billy’s current drums, leads a marching band, sings with Clementine in talent explain)

–Caillou the Sports Star (play comical games and find ribbons in Grandma’s contests, learns he is getting stronger, ok to unexcited need training wheels)

–Caillou the Explorer (Daddy treats for ice cream, stores about the Antarctic, Calliou imagines playing with the penguins, scuba diving, for appreciate and searching out alligators.)

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Because this is a newer DVD, the puppet versions of Rexy, Gilbert and Teddy mentioned in the Amazon summary above are NOT in this DVD. Instead, there are some of the current “extras” like Caillou performing songs (the “I want to be immense lawful now” song is kind of hilarious) . So far, I haven’t seen any scenes with the staunch kids, i.e. the “Caillettes” that usually do song and dance numbers in the older DVDS. I haven’t yet watched the extra features, but the main DVD is 100% Caillou cartoon fun. Because this is newer, the episodes feature Rosie doing more talking and interacting with Caillou. And for those concerned about Caillou’s behavior, he was not “whiny” or “bratty” in these episodes but seemed realistically determined. Some of these episodes present Caillou at his preschool setting, which is nice for kids of a similar age to search for.

If your child is fond of Caillou, which mine is, I would definitely recommend this DVD.

While I cannot fault the tale suppose of this DVD, there are a couple of issues to be aware of. The first is that this DVD features a one-minute promo for other PBSKids releases. This in itself is not awful, but this promo plays each time the disc is inserted and it won’t let you skip it or swiftly forward it.

The other thing to brand here is that there is no current special features bid. The creators of the “Caillou” DVDs seem sing to rest entirely on their laurels, and so the “bonus” jabber is the same obsolete character biographies, parents message, simple game, and coloring pages.

The tale reveal is four stories, all from the 2006 season of Caillou. The puppets are indeed gone and there are now three stories in each episode. The four episodes are “Caillou the Ravishing,” “Caillou the Musician,” “Caillou the Sports Star” and “Caillou the Explorer.” The first one is filled with imagination and magic. The second is naturally very musical, featuring instruments and a marching band. The third one includes a day at the park, fun games with Caillou’s Grandma and Caillou trying to amble his bike without his training wheels. In the final one, Caillou meets a recent girl at his playschool named Lee Wuhn. He also explores a bayou and imagines living where it’s very wintry.

One other thing that should be eminent — while the DVD allows individual episode selection, it then tries to rope you into continuous play by going on to the next episode instead of going to the menu.

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A fact-based overview of the quintessential Ponzi design. Madoff is a con artist to be definite, but he is only the tip of a glacial mass on Wall Street. Since Reagan, the waves of federal deregulation and the ill-conceived withdrawal of oversight and transparency literally created an incubation chamber for greed and malfeasance. The casino capitalism of Bush/Cheney opened the gates to outright fraud and rampant corruption. Corporations were seduced into turning accounting upside-down. Projected revenues became reported income, massive debt became corporate assets… go figure?

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If we scrutinize encourage not that many years, Enron, Tyco and WorldCom were simply a prelude to Possess Stearns, Lehman Bros, Fannie, Freddie, AIG — and Madoff. Gordon Gecko’s “greed is qualified” soliloquy (from the movie Wall Street) was indeed prescient and emblematic of these times. Sadly, America has become a nation that knows the mark of everything… and the value of nothing. To quote Justice Louis Brandeis, “We can have democracy in this country, or we can have vast wealth concentrated in the hands of a few, but we can’t have both.”

The 2008 collapse of the U.S. economy is mild being felt today, and RIPPED OFF examines some of the causes, examining the, $65 billion Ponzi scam by a trusted investor from Unique York. Firsthand accounts from Madoff’s victims are included in a documentary considering this and other scams throughout history.

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I admit, I’m a child of the Silver Age of DC Comics! I grew up on Superman, Batman, Wonder Woman, the Flash, Green Lantern, the Atom, Adam Outlandish…and especially the Justice League of America. So I admit, “Justice League - The Original Frontier (Two-Disc Special Edition) ” brought a lump to my throat…it was like being a kid, again!

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Based on Darwyn Cooke’s worthy, nostalgic reworking of the birth of the Silver Age heroes during the transitional 1950s, the entertaining film homages the characters I grew up, loving (especially test pilot/Green Lantern Hal Jordan, the Martian Manhunter, and police scientist/Flash Barry Allen), in the context of the era, a decade of Communist paranoia, McCarthy witch hunts, the birth of the Dwelling Age, and struggle for racial equality. One element Cooke ‘lifted’ from Frank Miller’s “Sad Knight” tale, that of the government ordering superheroes to ’stand down’, fits this saga exceptionally well, with Superman as the only ‘approved’ hero, Batman refusing to, thus becoming a wanted fugitive, and the ‘Golden Age’ heroes forced into retirement (I was disappointed not seeing more of the JSA, other than in the opening credits, but there are a LOT of characters that DO appear!)

Of course, a fresh, unstoppable, super-powered villain (the primeval, immortal ‘Centre’) picks this time to eradicate the human bustle, fast knocking Superman out of the battle, and requiring the unique generation of heroes, teamed with Batman and Wonder Woman, to place the world.

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There are SO many touches I loved! A reworking of Hal Jordan’s origin as Green Lantern; the romances of Supes and Lois Lane, Jordan and Carol Ferris, and Barry Allen and Iris West; heroes I hadn’t seen in years (the Challengers of the Unknown and the Blackhawks), fighting along side Adam Odd, Green Arrow, Aquaman, and even a pre-Atom Ray Palmer; the superhero ‘Air Force’, with Wonder Woman’s invisible airplane, and the Bat-plane and Arrow-plane. Admittedly, many characters don’t obtain mighty mask time, but with a cast this tremendous, it is understandable (it would be a jam of the ever-growing JLA of the comics, as well) .

I have to mention the train talent eager, as the casting was dead-on! David (TV’s ‘Angel’) Boreanaz as Jordan, Neil Patrick Harris (’Doogie Howser’) as Allen, Kyle (’Twin Peaks’) MacLachlan as Superman; Lucy (’Xena’) Lawless, a PERFECT Wonder Woman, Kyra (’The Closer’) Sedgwick as Lois, Brooke Shields as Carol, Vicki Lewis as Iris…this is truly an all-star affair! Two bid performers deserve special recognition; Miguel Ferrer is exceptional as the Martian Manhunter, combining an alien aloofness with compassion; and Jeremy Sisto has, arguably, the BEST narrate for Batman I’ve ever heard…he really IS the Gloomy Knight!

While I admit Darwyn Cooke’s new account far outshines the film (unique stories nearly always do), as someone who only sporadically looks at comics, these days, “Justice League” is a extraordinary ‘blast from the past’.

Thank you, DC!

First of all, I will say this about this production…They cram a lot of DC laughable history in less than 80 minutes of cartoon. The ask is “Is it worth it? ” I dont know

Second, I will say this has a grand name cast to enjoy the boots of these Characters. Kyle Maclachlan bring a different to Superman. Neil Patrick Harris (who did the MTV version of Spiderman) is the Flash. Lucy Lawless (Xena) proves she is a vocal amazon as Wonder Woman. David Borenaz (Buffy’s well-liked vamp Angel) lifts the chracter of Hal Jordan to modern heights. Miguel Ferrer and Kyra Sedgwick are wasted in the roles of the Martian Manhunter and Lois Lane. Law and Order Jeremy Sisco build a current swagger on Batman.

They also have vocal stunt casting of substantial audio talent who have a throw away line or three. People like Joe Mantegna, Phillip Morris and Brooke Shields are fraction of this mountainous cast, but are wasted with a few throw away lines.

The anecdote is faithful to Darwyn Cooke’s two portion graphic unique. He also does one of the two audio commentary tracks. It serene seems too rushed. Bruce Timm could have taken a bigger risk and done this as a three hour cartoon project, but I will retract what I have

The production is a higher standard then most cartoons made for video, but when you push the envelope like Superman Doomsday (aka the Death of Superman), you need is push the time and the narrative past 80 minutes.

There is a trailer, on this DVD, for the next made for DVD racy feature, Batman Gotham Knight…It looks well-behaved! Dont forget to notice this!

On the Whole, it is worth giving this spicy feature an airing

Bennet Pomerantz Audioworld

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Take everything that was so enormous about the First Christmas Vacation film, toss it out the window, obtain a lousy cast and a worst script and you’ve got the makings of Christmas Vacation 2. Randy Quaid and Miriam Flynn reprise their roles as Cousin Eddie and Catherine Johnson in this horribly un-funny “holiday” film.

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Though Eddie’s fired honest at Christmastime, his boss sends him and his family on a South Pacific vacation, hoping Eddie won’t sue him after being bitten by a lab monkey. When the Tuttle family winds up trapped on a tropical island, however, Eddie manages to provide for everyone and display himself a steady man.

Incredibly the movie has a decent supporting cast including Ed Asner, Fred Williard, Eric Lazy, Stephen Furst, and Beverly Garland. Never has so puny been done with so worthy.

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Why did they invent a sequel to Christmas Vacation??? No Chevy Move, no Beverly DeAngelo? This played more like a abominable sitcom than a legitimate movie. Granted, it was a made for tv film, but advance on! This was objective pathetic.

There were zero laughs in this movie. Seriously….zero laughs. Maybe a snicker or two but that’s it. That is quite an achievement! This is nothing more than a slapped together mess meant to cash in on the name of its predecessor. National Lampoon should be cursed to peep this one over and over again.

I fair finished watching this movie and i must say, this was the worst movie i have ever seen in my whole life. I only wish i could rate it 0 stars to give it the justice it deserves. i threw up a itsy-bitsy bit during this movie due to the rude horribleness this movie exudes.

HORRIBLE

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THE Detached AMERICAN is a successful and spirited adaptation of Graham Greene’s classic modern. In 1952 a broken-down British journalist (Michael Caine) is stationed in Saigon to mask the events of the French Indochina War. Caine meets a young idealistic American doctor (Brendan Fraser) at an outdoor cafe and they soon become friends. But soon enough their friendship becomes complicated when Fraser becomes attracted to Caine’s girlfriend (Do Thi Hai Yen) who is a handsome Vietnamese woman.

What follows is an often suspenseful film that addresses the battle of French colonialism against the Communist reach from the north and the role of a third party to defeat the two customary enemies. Caught in the middle is Caine, Fraser and the woman that they both appreciate as they navigate the dramatic changes which are occurring in Vietnam each day. Caine contemplate that people are not who they claim to be.

One of the most fine aspects of THE Peaceful AMERICAN is the cinematography by Christopher Doyle which captures the gorgeous green and lush Vietnamese countryside filled with mountains and lakes and rivers. I have to admit that prior to deeing this film I was not a titanic fan of Michael Caine, but his performance is admirable and convincing. I now understand why he was nominated for an Oscar — and I absorb he is a strong contender. THE Aloof AMERICAN is one of the best films I have seen in some time.

Michael Caine has managed a big number of generous performances over the years, but this is probably his finest film in many, many years. Although Brendan Fraser and the remarkably glorious Do Thi Hai Yen are beneficial in the other two main roles, this film lives or dies with the character of Thomas Fowler. Thankfully, Caine is heavenly. His performance is serene, nuanced, and remarkably subtle. It is paradoxically one of the most emotional performances he has given in some time, but at the same time one of his more subdued.

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The film is spot in Vietnam during the French war with the Communists of North Vietnam. It is also the time when the United States began their involvement in the country, doing their allotment to stymie the spread of the Red Menace. The movie does a gigantic job of presenting the emerging complexities of the conflict. There are several fair scenes, in particular a terrorist bombing, which is one of the most gleaming and horrifying instances of onscreen violence that I have witnessed in some time. But the focus of the film always remains on the interplay of the personalities. The politics of the state is not ignored, but in the waste the film is about people.

Director Philip Noyce had before 2002 been known primarily as a director of Hollywood action films, but after directing two of the finest films of this past year in THE RABBIT-PROOF FENCE and THE Unruffled AMERICAN, he has suddenly emerged as one of the finer directors of serious films. I don’t know what his next project is going to be, but I await it with stout eagerness. He keeps both the mood and the lighting of this film very, very shaded. Most of the scenes acquire plot in shadows, in the evening, or in darkened rooms, as if it were an external manifestation of the internal ambiguity that permeates the film.

I have long wanted to peruse Brendan Fraser consume on more serious roles, especially after seeing him in GODS AND MONSTERS. He is profitable in comedy, but I have sometimes found the congenial idiots he so often portrays to be a slight irritating.

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Buy,Download, Or Stream The Quiet American! Click Here

This is a wonderfully serious film, and it stands in stark disagreement to so many of the films coming out these days. It is a film that takes its time, with the director allowing scenes to execute slowly, never in a accelerate to mutter his yarn. But I loved his yarn style, and I can’t imagine any fan of film not being panicked by Michael Caine’s masterful performance.

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This fabulous film is based upon the short yarn, “Straggle Well, My Brother”, which appears in an anthology of short stories titled, “The Snow Walker”, written by Canadian icon, Farley Mowat. The fable takes residence somewhere arrive the Artic in 1953 and opens with a dim figure traipsing slowly across a frozen wasteland. The film then flashes aid to a time three months earlier in a settlement called “Yellow Knife”, located somewhere in the Northwest Territories of Canada. A raucous sort of residence, the viewer is introduced to a young and resplendent, musty World War II fighter pilot named Charles Halliday (Barry Pepper) . He is a free living, arrogant, hot dogging young gun, who now flies over the frozen wastelands of the far north, working as a bush pilot for a man named Shepherd (James Cromwell) .

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While making a routine delivery in a desolate dwelling, he is met by a microscopic family of Inuit with a seemingly tubercular daughter (Annabella Piugattuk) ) who clearly needs medical attention. They demand that Johnny consume her to the hospital in Yellow Knife but Johnny refuses to do so. When they bribe him with some necessary ivory tusks, he has a change of heart, taking the young woman on board. Unfortunately, the minute aircraft experiences technical difficulties, and they rupture in the frozen tundra, a couple of hundred miles from civilization, but are physically relatively unhurt by the wreck.

Thinking that he would do better on his absorb, Charlie divests himself of the young woman, leaving her with some supplies but believing that he is consigning her to her death. He is a young man with cramped respect for the Inuit people. He simply does not watch the value in their culture, which he does not understand, and marches off into the bleak wilderness on his hold. He, who is a whiz with machinery, has microscopic knowledge on how to survive in that bleak but pleasing wasteland. Consequently, by the time he is about a week into his amble through this unforgiving tundra, he is overcome by nature and the vicissitudes of this harsh and alien environment. Fortunately for him, the young woman he left tedious is far more resourceful than he is. She catches up with him, finding him on the brink of death, and nurses him befriend to life, becoming the key to his survival.

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It is only after all this happens that he bothers to learn that she is called Kanaalaq. Slowly, he learns to connect with this young woman in a contrivance that he has never connected with anyone. He learns to luxuriate in her, discovering that she is glorious both inside and out. Through his relationship with Kanaalaq, whom he begins to regard as a cramped sister, he learns how to treasure another human being, becoming reborn as a better person in the process. He also learns to connect to the land and, in doing so, finds the strength to survive his ordeal. Kanaalaq ends up giving Charlie Halliday the gift of life.

What happens to Charlie and Kanaalaq, how they manage, and how their relationship develops is at the heart of this film. It is the account of two cultures that arrive together and seamlessly mesh in order to survive out on the frozen tundra. It is an intensely consuming and deeply personal film that is simply graceful. With a minimum of dialogue, this film sends out a major message.

Barry Pepper is terrific in the role of Charlie Halliday, a flawed human being who manages to overcome his shortcomings and become all the better for his ordeal. He infuses the character with a sure charisma, so that when his shortcomings become apparent, the viewer does not disfavor him but, rather, hopes that he will gawk the error of his ways and bag redemption. Newcomer Annabella Piugattuk is simply sensational, giving a well-nuanced and very touching performance in the role of the dying Inuit girl, Kanaalaq. Her role is central to the film, and she is a breakout star. They searched for six months, until they found her, having auditioned hundreds of young women in the process, as they were looking for someone indigenous to the situation to occupy the female lead. The casting director discovered her at a local teen dance in the Northwest Territories, and what a earn she is.

This Canadian production was the recipient of numerous Genie nominations, which are the Canadian equivalent of Academy Award nominations, and are conferred by the Academy of Canadian Cinema and Television. I have to say that, in fresh years, I have been mightily impressed with the originality, quality, and sophistication of Canadian films. They are sometimes simply the best films to be found. This one is no exception. Deftly directed by Charles Martin Smith, who is also an actor, he fully understands the understanding that less is oftentimes more and exacts much performances from the entire cast. Moreover, he perfectly captures the majesty, beauty, and sheer bleakness of the landscape that acts as the backdrop for this lovely legend. Bravo!

The 2003 Canadian film is one of those independent films that I call a “gem”. It’s a simple narrative. Site in 1953 in northern Canada, a bush pilot, played by Barry Pepper, agrees to flit a seriously ill young Inuit woman, who seems to have tuberculosis, to a town where she can gain medical attention. He’s reluctant to do this but her family bribes him with a pair of walrus tusks. Played by first-time actress Annabella Piugattuk, this Intuit woman is outstanding in her role, as she helps the pilot to survive after their plane crashes and also teaches him some famous lessons about life.

Yes, this is a hackneyed fable with no proper surprises. But under the expert hand of writer/director Charles Martin Smith, the film comes out better than the sum of its parts. I found myself completely drawn in and also learned a lot about survival in the frozen north. I applaud the director’s decision to utilize an authentic Inuit actress in the main role which made the film seem true. It was well-paced with honest enough tension to support me wondering what would happen next.

This is a exquisite film and I definitely recommend it. And it is especially fine to look during a summer heat spell.

The Sure Thing Streaming. Movie Title: The Sure Thing Average customer review: The Sure Thing is available for streaming or downloading. Click Here to Stream or Download The Sure Thing

I’m looking for my have copy of this movie because it is one of my all-time favorites…comfort food for my soul. I can be totally down in the dumps and all I need is to search for this movie. It never fails to engage my spirits and construct me laugh, no matter how many times I’ve seen it. I can recite every word of the script by now. I’m tired of renting it, though–now I want to gain it! Cusack is shiny. It was the first time I ever saw him, and I’ve been a devoted fan ever since. Buy Reiner and everyone in the cast did such a astronomical job–I cherish all the scenes with Tim Robbins. I was in college when this came out and fair to point to its timeless appeal–I can display it to original college-aged people and they treasure it too! About the only thing that dates the movie besides a few 80s expressions like “top-notch” is Anthony Edwards’ exhilaration about using a cordless phone by the pool! The humor, heart and romance of this movie continue to be au courant, due to stout writing, acting and direction.

My common (and oft-quoted line) : “Spontaneity has its time and its space!”

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This movie is a cult-classic in my (wife’s) family, so we’ve all seen it a dozen times or more. Determined, people will dismiss this movie as a teen, lightweight, romantic comedy. Maybe it is, but it’s also hillarious and well acted and packed with lines that you’ll come by yourself quoting throughout life (”we philosophize each others unspoken language, - fluently”) . Personally, I consider this is John Cusak’s best acting role ever. Even the smaller parts (such as Tim Robbins’ are hillarious) .

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Additionally, this DVD has mammoth features. For example you can gaze in either widescreen or normal mode. You also have the option of turning on the director’s (Win Reiner) commentary so you can listen to him jabber over the movie giving his comments on the actors, scenes, etc. There’s also a trivia feature that will play the movie while popping up small triva-blurbs on each camouflage. There are also “featurettes” that discuss the casting, wardrobe, etc.

Some DVD’s are simply the VHS movie achieve on a different media, but this one is packed with mammoth features - plus it’s a colossal movie!